Based on the 2016 conference of the Center for Pastor Theologians, this volume brings together the reflections of church leaders and academic theologians on the theme of human sexuality. Contributors engage with Scripture, draw on examples from church history, and delve into current issues in contemporary culture, including embodiment, marriage, homosexuality, pornography, transgenderism, and gender dysphoria.
Early Christians lived in a culture not unlike our own—in love with empire, infatuated with sex, tolerant of all gods but hostile to the One. Christopher Hall takes us back to that time, conversing with Christian leaders around the ancient Mediterranean world and exploring how this cloud of witnesses challenges us to live an ethical life as a Christ follower.
The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound. Drawn from the 2015 biennial CIVA conference, these reflections from theologians, pastors, and practicing artists imagine the possibility of a renewed and mutually fruitful relationship between contemporary art and the church.
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian who argue that modernist art is underwritten by deeply religious concerns.
Culture plays an undeniable role in the Christian's vocational calling in the world. How might we engage our culture with discernment and faithfulness? Exploring Scripture and gleaning insights from a variety of theologians, William Edgar offers a biblical defense of the cultural mandate, arguing that we are most faithful to our calling when we participate in creating culture.
Modernity, according to Bob Goudzwaard and Craig Bartholomew, is not a single ideology but rather a tension between four worldviews. In conversation with students from around the world and drawing upon a variety of sources and disciplines, the authors propose ways to transcend modernity and address global crises.
Drawing upon his experiences as both a Christian and an artist, Cameron J. Anderson traces the relationship between the evangelical church and modern art in postwar America. While acknowledging the tensions between faith and visual art, he casts a vision for how Christian artists can faithfully pursue their vocational calling in contemporary culture.
This volume brings together respected biblical scholars to evaluate the turn toward "empire criticism" in recent New Testament scholarship. While praising the movement for its deconstruction of Roman statecraft and ideology, the contributors also provide a salient critique of the anti-imperialist rhetoric pervading much of the current literature.
In this book Philip J. Sampson dispels six myths about Christianity and Western civilization and results in unsettling conven-tional wisdom and providing an enlightening look at truth.
James A. Herrick offers an intellectual history of the New Religious Synthesis, examining the challenges it poses to Judeo-Christian tradition, demonstrating its sources and manifestations in contemporary culture, and questioning its acceptance in church and society.
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