Evangelicalism in America has cracked. What defines the evangelical social and political vision—is it the gospel or is it culture? Edited by Mark Labberton, this collection of essays offers a diverse and provocative set of reflections from evangelical insiders who wrestle with the question of what it means to be evangelical in today's polarized climate.
Based on the 2016 conference of the Center for Pastor Theologians, this volume brings together the reflections of church leaders and academic theologians on the theme of human sexuality. Contributors engage with Scripture, draw on examples from church history, and delve into current issues in contemporary culture, including embodiment, marriage, homosexuality, pornography, transgenderism, and gender dysphoria.
What has led to the church's vibrant growth throughout the Global South? Brian Stiller identifies five key factors that have shaped the church, from a renewed openness to the move of the Holy Spirit to the empowerment of indigenous leadership. Discover the surprising story of the global advance of the gospel. And be encouraged that Jesus' witness continues to the ends of the earth.
Early Christians lived in a culture not unlike our own—in love with empire, infatuated with sex, tolerant of all gods but hostile to the One. Christopher Hall takes us back to that time, conversing with Christian leaders around the ancient Mediterranean world and exploring how this cloud of witnesses challenges us to live ethical lives as Christ followers.
Even though the North American context is changing, most missiological approaches continue under colonialist assumptions. Focusing on the framework of Hip Hop theology, Daniel White Hodge shows us how to radically engage with emerging adult populations, critiquing the impaired missiology of imperialist and white supremacist approaches to urban and short-term missions.
The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound. Drawn from the 2015 biennial CIVA conference, these reflections from theologians, pastors, and practicing artists imagine the possibility of a renewed and mutually fruitful relationship between contemporary art and the church.
What should Christian witness look like in our contemporary society? In this timely book, Alan Noble looks at our cultural moment, characterized by technological distraction and the growth of secularism, laying out individual, ecclesial, and cultural practices that disrupt our society's deep-rooted assumptions and point beyond them to the transcendent grace and beauty of Jesus.
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian who argue that modernist art is underwritten by deeply religious concerns.
Culture plays an undeniable role in the Christian's vocational calling in the world. How might we engage our culture with discernment and faithfulness? Exploring Scripture and gleaning insights from a variety of theologians, William Edgar offers a biblical defense of the cultural mandate, arguing that we are most faithful to our calling when we participate in creating culture.
Modernity, according to Bob Goudzwaard and Craig Bartholomew, is not a single ideology but rather a tension between four worldviews. In conversation with students from around the world and drawing upon a variety of sources and disciplines, the authors propose ways to transcend modernity and address global crises.
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