You cannot discover lands already inhabited. In this prophetic blend of history, theology, and cultural commentary, Mark Charles and Soong-Chan Rah reveal the damaging effects of the "Doctrine of Discovery," which institutionalized American triumphalism and white supremacy. This book calls our nation and churches to a truth-telling that will expose past injustices and open the door to conciliation and true community.
Based on the 2016 conference of the Center for Pastor Theologians, this volume brings together the reflections of church leaders and academic theologians on the theme of human sexuality. Contributors engage with Scripture, draw on examples from church history, and delve into current issues in contemporary culture, including embodiment, marriage, homosexuality, pornography, transgenderism, and gender dysphoria.
Early Christians lived in a culture not unlike our own—in love with empire, infatuated with sex, tolerant of all gods but hostile to the One. Christopher Hall takes us back to that time, conversing with Christian leaders around the ancient Mediterranean world and exploring how this cloud of witnesses challenges us to live ethical lives as Christ followers.
Even though the North American context is changing, most missiological approaches continue under colonialist assumptions. Focusing on the framework of Hip Hop theology, Daniel White Hodge shows us how to radically engage with emerging adult populations, critiquing the impaired missiology of imperialist and white supremacist approaches to modern, urban short-term missions.
The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound. Drawn from the 2015 biennial CIVA conference, these reflections from theologians, pastors, and practicing artists imagine the possibility of a renewed and mutually fruitful relationship between contemporary art and the church.
What should Christian witness look like in our contemporary society? In this timely book, Alan Noble looks at our cultural moment, characterized by technological distraction and the growth of secularism, laying out individual, ecclesial, and cultural practices that disrupt our society's deep-rooted assumptions and point beyond them to the transcendent grace and beauty of Jesus.
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian who argue that modernist art is underwritten by deeply religious concerns.
Culture plays an undeniable role in the Christian's vocational calling in the world. How might we engage our culture with discernment and faithfulness? Exploring Scripture and gleaning insights from a variety of theologians, William Edgar offers a biblical defense of the cultural mandate, arguing that we are most faithful to our calling when we participate in creating culture.
Modernity, according to Bob Goudzwaard and Craig Bartholomew, is not a single ideology but rather a tension between four worldviews. In conversation with students from around the world and drawing upon a variety of sources and disciplines, the authors propose ways to transcend modernity and address global crises.
Drawing upon his experiences as both a Christian and an artist, Cameron J. Anderson traces the relationship between the evangelical church and modern art in postwar America. While acknowledging the tensions between faith and visual art, he casts a vision for how Christian artists can faithfully pursue their vocational calling in contemporary culture.
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