Singer, songwriter, and student of Scripture Michael Card explores the biblical foundations of true Christian creativity. With Jesus as his model, Card shows how understanding God's creative imagination leads to a lifestyle of humility and servanthood, inviting us to follow God's creative call through worship and community and respond with worshipful creativity.

Preaching and music are both regular elements of Christian worship, yet they often don't interact or inform each other in meaningful ways. Theologian, pastor, and musician Noel A. Snyder considers how preaching that seeks to engage hearts and minds might be helpfully informed by musical theory—so that preachers might craft sermons that sing.

Creation and the new creation are inextricably bound, for the God who created the world is the same God who promises a new heaven and a new earth. Bringing together theologians, biblical scholars, and artists, this volume based on the DITA10 conference at Duke Divinity School explores how the relation between creation and the new creation is informed by and reflected in the arts.

Kirk D. Farney explores the work of Fulton J. Sheen and Walter A. Maier as groundbreaking leaders combining theology and technology to spread the gospel in the "Golden Age" of radio. With careful attention to both the theological content and the cultural influence of these masters of a new medium, this study sheds new light on the history of media and Christianity in the United States.

Different generations communicate differently. With fresh research from the Barna Group on how generations communicate, Darrell Hall sheds light on how each generation receives verbal messages, from Boomers and Xers to millennials and Gen Z. Discover how generational science can bridge the gap between speaker and listener so people of all generations can hear clearly.

In this study in IVP Academic's STA series, theologian Richard Goodwin considers how the images that constitute film might be a conduit of God's revelation. By considering works by Stanley Kubrik, Martin Scorsese, Terrence Malick, and more, Goodwin argues that by inviting emotional responses, film images can be a medium of divine revelation.

Many readers know C. S. Lewis as the fantasy writer of the Chronicles of Narnia or the apologist of Mere Christianity. But few know how deeply Lewis was formed by medieval authors like Dante and Boethius and how he saw their worldviews' relevance to the challenges of the modern world. Here, readers will encounter Lewis the medievalist to guide them in their own journey.

Theologian and jazz pianist William Edgar places jazz within the context of the African American experience and explores the work of musicians like Miles Davis and Ella Fitzgerald, arguing that jazz, which moves from deep lament to inextinguishable joy, deeply resonates with the hope that is ultimately found in the good news of Jesus Christ.