In search of holistic Christian witness, we must cultivate new approaches for integrating the arts into mission praxis. Written by missiologists, art critics, ethnodoxologists, and theologians from around the world, these essays present historical and contemporary case studies while calling Christians to understand the power of art for expressing cultural and religious identity, opening spaces for transformative encounters, and resisting injustice.
Drawing from his own experience leading worship in a large congregation and feeling the pull of performance, Manuel Luz guides us on a journey through worship that takes us far beyond style and deep into our own souls. With spiritual practices throughout, he calls us back to an honest worship that moves past facades and pulls us inward toward the true self that God is forming within each of us.
Even though the North American context is changing, most missiological approaches continue under colonialist assumptions. Focusing on the framework of Hip Hop theology, Daniel White Hodge shows us how to radically engage with emerging adult populations, critiquing the impaired missiology of imperialist and white supremacist approaches to modern, urban short-term missions.
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