The Neo-Calvinist tradition is well-equipped to offer wisdom on the arts to the whole body of Christ. Edited by art scholar Roger Henderson and Marleen Hengelaar-Rookmaaker, daughter of Hans Rookmaaker, this volume brings together history, philosophy, and theology to consider the relationship between the arts and the Neo-Calvinist tradition.
Too often in the history of Christian worship, evangelical leaders have sought to manipulate anxiety to spur repentance. J. Michael Jordan challenges this utilitarian approach, offering a practical theology of worship within a healing framework that, rather than manipulating anxiety, acknowledges, accepts, and offers it to God.
The only way to change culture is to create culture. Andy Crouch says we must reclaim the cultural mandate to be the creative cultivators God designed us to be. In this expanded edition of his award-winning book he unpacks how culture works and gives us tools to partner with God's own making and transforming of culture.
What does "gospel-centered" worship look like for today's church? Scholar, worship leader, and songwriter Zac Hicks contends that this idea can be found in Thomas Cranmer's theology of worship, which was shaped by the Protestant principle of justification by faith alone and reflected in his 1552 edition of the Book of Common Prayer.
How do we help our congregations navigate the journey of worshipping in a multicultural context? Innovative worship leader Sandra Van Opstal gives leaders and churches guidance, providing biblical foundations for multiethnic worship and practical tools for planning services that reflect God's invitation for all peoples to praise him.
Preaching and music are both regular elements of Christian worship, yet they often don't interact or inform each other in meaningful ways. Theologian, pastor, and musician Noel A. Snyder considers how preaching that seeks to engage hearts and minds might be helpfully informed by musical theory—so that preachers might craft sermons that sing.
Creation and the new creation are inextricably bound, for the God who created the world is the same God who promises a new heaven and a new earth. Bringing together theologians, biblical scholars, and artists, this volume based on the DITA10 conference at Duke Divinity School explores how the relation between creation and the new creation is informed by and reflected in the arts.
Theologian and jazz pianist William Edgar places jazz within the context of the African American experience and explores the work of musicians like Miles Davis and Ella Fitzgerald, arguing that jazz, which moves from deep lament to inextinguishable joy, deeply resonates with the hope that is ultimately found in the good news of Jesus Christ.
Theologian Steven Félix-Jäger offers a theology of renewal worship, including its biblical foundations, how its global nature is expressed in particular localities, and how charismatic worship shapes the community of faith. With this guidance, the whole church might better understand what it means to pray, "Come, Holy Spirit!"
How is our Christian hope both expressed and experienced in contemporary worship? In this Dynamics of Christian Worship volume, pastor, theologian, and songwriter Glenn Packiam explores what Christians sing about when they sing about hope and what kind of hope they experience when they worship together.